Wynton Kelly Trio and Wes Montgomery - Smokin' At The Half Note

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SKU:
AVER 82901
  • Acoustic Sounds Series reissues from Verve/Universal Music Enterprises!
  • Monthly releases highlighting the world's most historic and best jazz records!
  • Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes
  • 180-gram LPs pressed at Quality Record Pressings!
  • Stoughton Printing gatefold old-style tip-on jackets
  • Series supervised by Chad Kassem CEO of Acoustic Sounds
$90.00
  • Acoustic Sounds Series reissues from Verve/Universal Music Enterprises!
  • Monthly releases highlighting the world's most historic and best jazz records!
  • Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes
  • 180-gram LPs pressed at Quality Record Pressings!
  • Stoughton Printing gatefold old-style tip-on jackets
  • Series supervised by Chad Kassem CEO of Acoustic Sounds

"Wes Montgomery remains one of the undisputed greats of Modern Jazz guitar. To hear the man at his best is to luxuriate in the elevated energies of 'Smokin’ at the Half Note,' an LP co-billing him with the impeccable trio of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. That set has been freshly reissued in Verve/UMe’s Acoustic Sound Series, and for consumers of vinyl with a passion for post-bop jazz, its acquisition is absolutely essential." — Joseph Neff, The Vinyl District, May 16, 2023. Read the entire review here.

This important historic jazz record pairs guitar virtuoso Wes Montgomery with Miles Davis' rhythm section — featuring Paul Chambers on bass, Jimmy Cobb on drums and Wynton Kelly on piano.

This is timeless music that has inspired innumerable jazz guitarists and aficionados. In fact, jazz guitar great Pat Metheny has said, "I learned to play listening to Wes Montgomery's Smokin' At The Half Note." Metheny additionally said that the solo on "If You Could See Me Now" is his favorite of all time.

This legendary session was recorded at a New York nightclub. It captures Montgomery at the height of his improvisational powers. Many consider it the best performance on record by one of the most inventive guitarists in jazz history.

Highlights include the Miles Davis opener, "No Blues" and the following track, Tadd Dameron's "If You Could See Me Now." And the album's versions of "Unit 7" and "Four On Six" have helped to establish these songs as jazz standards.

Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.

Musicians:
Wynton Kelly, piano
Wes Montgomery, guitar
Paul Chambers, bass
Jimmy Cobb, drums



Side A
No Blues
If You Could See Me Now
Side B
Unit 7
Four On Six
What's New?


More Information
By Genre Jazz
By Labels Analogue Productions (Verve)
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